Morison hoped that it may be Monotype’s competitor to your wave of German sans-serif households in a new “geometric” style, which involved Erbar, Futura and Kabel, all remaining launched to sizeable attention in Germany through the late 1920s. Gill was commissioned to create his alphabet right into a whole metal sort family members by his close friend Stanley Morison, an influential Monotype executive and historian of printing. By this time Gill experienced turn into a well known stonemason, artist and creator of lettering in his possess right and had started to work on making typeface patterns. Also, Gill sketched an alphabet for Cleverdon as a guidebook for him to employ for long run notices and announcements. In 1926, Douglas Cleverdon, a younger printer-publisher, opened a bookshop in Bristol, and Gill painted a fascia for that store for him in sans-serif capitals. Gill for a younger artist had assisted Johnston in its early enhancement phases. which may be registered in certain jurisdictions.Gill Sans relies on Edward Johnston’s 1916 “Underground Alphabet”, the company font of London Underground. Gill Sans? is a trademark of The Monotype Corporation, Inc. The lighter weights are highly readable in text and suitable for magazine and book work, whereas the heavier weights are best used for display in advertising, packaging, and labels.ĭigitized data copyright © 1997 The Monotype Corporation, Inc.
A twentieth century sans serif that has a simplicity of form which does not reject traditional forms and proportions, and gives the face a humanist feel. These became Monotype series 231, produced in 1923, and the forerunner of the extensive Gill Sans range now available. This influenced Gill who later experimented with sans serif designs, and in due course produced a set of capital letters.
Gill studied under the renowned calligrapher, Edward Johnston, the designer of the London Underground sans serif typeface.
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